The subject of the film would have been completely repellent had Bergman not carried over so much Dagmar Edqvist's unsentimental sympathy for the world of blind people and his portrayal of their rational view of what is a particularly complicated, yet otherwise universal human existence. His new film Music in Darkness is visually attractive throughout, precise down to the last detail, as smooth as silk. One must be pleased that Swedish film production, which increasingly comprises so much that is coarse and so many faux pas, now has a director with such impeccable artistic aspirations as Ingmar Bergman, so conscientious when it comes to keeping the weeds at bay. Naturally, there is something to draw comfort from. No, I think that Ingmar Bergman is on a perilous course if his film adaptations of modern Swedish fiction follow the template he has made for himself in Music in Darkness. This was probably due in no small part to Mai Zetterling, then on the verge of her international breakthrough. Music in Darkness was screened at the Venice Film Festival in 1948, where it was well received by audiences and critics alike. It was generally well received and was a modest box-office success to boot.' Epilogue Music in Darkness (known in the United States as Night is My Future) became a respectable product in the style of director Gustaf Molander. 'My only memory of the filming is that I kept thinking: Make sure there are no tedious parts. She and I would write the screenplay together. She turned out to be an adorable woman, funny, warm, and intelligent. Finally we agreed that we would go and see Dagmar Edqvist together. He declared the he had no intention of coming up with any other offer. I read the novel I hated it and decided to tell Lorens how I felt. Here I was not going to have any use for them. For the time being I would have to stuff my demons into an old sack.
In darkness movie movie#
He had bought the movie rights to a novel by Dagmar Edqvist called Music In Darkness, which told the story of a blind musician. It must be noted that Lorens was a passionate gambler, able to put his money on the same number a whole evening. Now Marmstedt suggested that I make a film for his own company, Terrafilm. A Ship Bound for India as well as It Rains on our Love had been made for Sweden's Folkbiografer. Otherwise my days as a movie director migth be numbered. With great diplomacy he pointed out that now would be the perfect time for at least one modest audience success. In spite of all that happened, Lorens Marmstedt did not throw me out.
In darkness movie skin#
Her skin is torn and decaying, a grim echo of the acne that might plague an ordinary teenager.Dagmar Edqvist's novel Musik i mörker (Music in Darkness) was published in 1946.īergman writing on the genesis of the film in Images: My Life in Film: Alex’s eyes have been scratched out, while Mina carries wounds from a sexual assault. Mina and Alex are survivors of childhood abuse, and bear the scars of their suffering.
Rather than relying on shocks, “The Dark” takes a sober approach to its realistically gruesome imagery. The camera frequently hides with Mina in the shadows as she observes intruders who may become her prey. When search parties come to collect Alex, Mina responds with deadly overprotectiveness.ĭespite its violence, “The Dark” is quiet in sound and style.
He has not known death or the taste of human blood, but Mina senses a kindred spirit and his suffering speaks to her own. She kills Josef, but spares his victim, Alex (Toby Nichols). The cabin turns out to be home to an undead, flesh-eating teenager, Mina (Nadia Alexander). Josef has monstrous intentions, but he is no match for the forest’s demons. The horror film “The Dark” begins queasily, following a man, Josef (Karl Markovics), who has absconded with a blind, bound teenage boy to a cabin deep in a shadowy wood known as Devil’s Den.
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